"Impermanence is not just of philosophical interest. It's very personal. Until we accept and deeply understand in our very being that things change from moment to moment, and never stop even for one instant, only then can we let go. And when we really let go inside, the relief is enormous. Ironically this gives release to a whole new dimension of love. People think that if someone is unattached, they are cold. But this isn't true. Anyone who has met very great spiritual masters who are really unattached is immediately struck by their warmth to all beings, not just to the ones they happen to like or are related to. Non-attachment releases something very profound inside us, because it releases that level of fear. We all have so much fear: fear of losing, fear of change, an inability to just accept.
It's like a dance. And we have to give each being space to dance their dance. Everything is dancing; even the molecules inside the cells are dancing. But we make our lives so heavy. We have these incredibly heavy burdens we carry with us like rocks in a big rucksack. We think that carrying this big heavy rucksack is our security; we think it grounds us. We don't realize the freedom, the lightness of just dropping it off, letting it go. That doesn't mean giving up relationships; it doesn't mean giving up one's profession, or one's family, or one's home. It has nothing to do with that; it's not an external change. It's an internal change. It's a change from holding on tightly to holding very lightly."
- Tenzin Palmo
Into the Heart of Life
"The coolness of Buddhism isn't indifference but the distance one gains on emotions, the quiet place from which to regard the turbulence. From far away you see the pattern, the connections, and the thing as whole, see all the islands and the routes between them. Up close it all dissolves into texture and incoherence and immersion, like a face going out of focus just before a kiss."
- Rebecca Solnit
The Faraway Nearby
"There once was an Emperor who was fascinated with Buddhism. He read everything he could get his hands on, he talked with philosophers and monks about it, he even tried writing his own discourses and Haiku. One day he heard that a famous Zen master was visiting the city. Naturally, being the Emperor, he requested that the Master come to visit him at the Palace. He offered the Master a fine meal and afterwards performed a truly elegant tea ceremony. The entire time, the Master remained mostly silent and peaceful, as you might expect from a Zen Master - but the Emperor was biting his tongue. He wanted to talk to the Master about Buddhism. Finally, as they were drinking their tea, he asked, "Master, according to Zen, what is the Self?"
The Master briefly looked up from his tea and said, "I do not know." Then he quietly went back to sipping his tea."
- John Suler
Advice in the Form of Confusions
I have been watching the young
struggle through their daily lives
and waste the flesh we all remember
and I have seen the gardens they shine
their leaves in, the kind invented
by distraction and devices that run
on little lithium ion batteries, flat
disks that power music and voice
into strong tremble and staccato chain
that barrels into the angelic orders
we raise our heads to see, or hope
to see, but never do, for they have
sprung into louder volumes and faster
rhythms that disorient and confuse.
There are sounds we can no longer
hear, at our age, and we don't want
anymore to know what we left
behind on that sill or under
that abbreviated sun. I can't know
wry substitutions. I can't hear breath
embrace five-minutes-ago or tomorrow
and there must be a word for that,
but I don't know it. I know the sound
of thinking a hard whistle into the lung.
I know the shape of houndstooth
and the hang of each tag's pricing
itself out of so many's reach.
I swoon and recoil at the tresses blowing
in an arbor without glow
or flame. These are reprieves. Respites
in the demands of sensation
and flow. Know this: you can you can
you can you can you can.
- Margot Schilpp
"If the boundaries of the self are defined by what we feel, then those who cannot feel even for themselves shrink within their own boundaries, while those who feel for others are enlarged, and those who feel compassion for all beings must be boundless. They are not separate, not alone, not lonely, not vulnerable in the same way as those of us stranded in the islands of ourselves, but they are vulnerable in other ways. Still, that sense of the dangers in feeling for others is so compelling that many withdraw, and develop elaborate stories to justify withdrawal, and then forget that they have shrunk. Most of us do, in one way or another."
- Rebecca Solnit
Questions About Angels
Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.
No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.
Do they fly through God's body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?
What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?
If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?
If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?
No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.
It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.
She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.
- Billy Collins
Questions about Angels
"I should feel the air move against me, and feel the things I touched, instead of having only to look at them. I'm sure life is all wrong because it has become too visual - we can neither hear nor feel nor understand, we can only see. I'm sure that is entirely wrong."
- D. H. Lawrence
Women in Love