Wednesday, February 15
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"Think of a globe, a revolving globe on a stand.

What if you had an enormous globe that was so huge it showed roads and houses - a geological survey globe, a quarter of a mile to an inch - of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about on earth, the molding of one face? The relief globe couldn't begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live out their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek."
 - Annie Dillard
Pilgrim at Tinker Creek









  • ". . . as I have said often enough, I write for myself in multiplicate,
    a not unfamiliar phenomenon on the horizon of shimmering deserts."
    - Vladimir Nabokov